In “Objections,” the human form is traded for the weighted significance of the things left behind. These stark, black-and-white images—once ignored as simple technical studies—have been revisited with a more tender, human perspective, revealing a vital record of a soul in transition. The title carries a dual meaning: the physical items that populate a life and the internal resistance to being truly seen. Every found, owned, or purchased item carries a fragment of a larger narrative, acting as a surrogate and a placeholder for a self-identity that is still being found.